Berenice AbbottBlossom Restaurant, 103 Bowery, New York, 1935
£8,800
Signed on mountStamped with photographer's copyright ink stamp and Federal Art Project 'Changing New York' / Museum of the City of New York ink stamp on mount reverse
Silver gelatin print, printed later
15 x 19 inches
Signed on mountStamped with photographer's copyright ink stamp and Federal Art Project 'Changing New York' / Museum of the City of New York ink stamp on mount reverse
Silver gelatin print, printed later
15 x 19 inches
This artwork is a silver gelatin print. Signed on mount.
Stamped with Berenice Abbott / Commerce Graphics Ltd, inc. copyright ink stamp and Federal Art Project 'Changing New York' / Museum of the City of New York ink stamp on mount reverse.
Framing
For this picture, we recommend book-mounting the print in a wide passepartout and framing in a black wooden box. It is widely accepted as the most traditional way to frame photography—especially rare or vintage works—giving visual priority to the image and yet fitting stylishly into most interiors. Other options are of course available. All our frames are handmade by one of the UK's leading framing workshops, and are constructed to museum standards. Please note that prices do not include local taxes, framing or shipping.
Shipping
We aim to ship works that are unframed within 4 weeks and within 10 weeks for works that are framed, although sometimes we will beat that! All works are shipped from the UK. Please note that prices listed above do not include framing or shipping.
Artwork In Detail
This artwork is a silver gelatin print. Signed on mount.
Stamped with Berenice Abbott / Commerce Graphics Ltd, inc. copyright ink stamp and Federal Art Project ‘Changing New York’ / Museum of the City of New York ink stamp on mount reverse.
Berenice Abbott
Blossom Restaurant, 103 Bowery, New York, 1935
EnquireBerenice Abbott
United States
B. 1898 – 1991
EnquireAmerican photographer Berenice Abbott is widely regarded as one of the most important American documentary photographers. She began her career as a photojournalist in Europe in the 1920s, working alongside Man Ray and other members of the Parisian avant-garde. She returned to the United States in 1929 and established herself as a photographer with a focus on the changing face of modern America.
