Miles AldridgeNew Utopias, Study IX, 2018
Signed in ink on reverse
Unique Polaroid print
3 1/2 x 4 1/4 inches
Signed in ink on reverse
Unique Polaroid print
3 1/2 x 4 1/4 inches
This artwork is a unique polaroid, a study from Aldridge's series, 'New Utopias'. Signed by the artist on reverse.
Framing
Miles Aldridge: New Utopias, Study IX. We recommend book-mounting this print in a wide passe-partout and then framing it in a white wooden box. This classic method not only gives visual priority to the image but also fits seamlessly into most interiors. However, if you prefer a different look, other framing options are also available. Additionally, to ensure the highest levels of production, all of our frames are handcrafted to museum standards by one of the UK’s leading workshops. Please note that the work is subject to tax, framing, and shipping costs.
Shipping
We aim to ship unframed works within 2 weeks and framed works within 6 weeks. All orders are shipped from the UK and we always strive to deliver your print as quickly as possible. However, the delivery times may vary, depending on the specific artwork and your location. For exact details, please get in touch. Please note that the work is subject to tax, framing, and shipping costs.
Artwork In Detail
Using vibrant colours and elaborately styled sets, Miles Aldridge explores themes of surrealism, cinema and pop culture.
Miles Aldridge
New Utopias, Study IX, 2018
EnquireMiles Aldridge: New Utopias, Study IX (2018)
Miles Aldridge
UK
B. 1964
EnquireMiles Aldridge has published several books over the years, including ‘Pictures for Photographs’ (2009), ‘Other Pictures’ (2012), ‘I Only Want You to Love Me’ (2013), ‘Córdoba’ (2022) and most recently, ‘Please, Please Return Polaroid’ (2023). In addition to these publications, Aldridge has exhibited widely and internationally. A major retrospective of his photography opened at Fotografiska in Stockholm (2020-2021) and travelled to Fotografiska New York in May 2021. Earlier, in 2013, Somerset House in London hosted a comprehensive retrospective of his drawings and photographs. The following year, Tate Britain invited Aldridge to create a temporary installation titled ‘Carousel II’, as a response to Mark Gertler’s 1916 painting ‘Merry-go-Round’. Today, his work is included in several prominent public collections, such as the National Portrait Gallery (London), the Victoria and Albert Museum (London), and the International Center of Photography (New York).
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