Rebecca LepkoffB’way Theaters, N.Y.C., 1947

£5,700

Signed, titled, and dated in pencil on mountSigned, annotated "modern print" and print date in pencil on mount reverse

Silver gelatin print, printed 1998

Image size: 7 3/4 x 9 inchesMount size: 13 1/4 x 10 3/4 inches

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Signed, titled, and dated in pencil on mountSigned, annotated "modern print" and print date in pencil on mount reverse

Silver gelatin print, printed 1998

Image size: 7 3/4 x 9 inchesMount size: 13 1/4 x 10 3/4 inches

Print

This artwork is a silver gelatin print, printed in 1998. Signed, titled, and dated in pencil on the front of the mount. Signed, annotated "modern print" and print date in pencil on reverse of the mount.

Framing

For this picture, we recommend book-mounting the print in a wide passepartout and framing in a black wooden box. It is widely accepted as the most traditional way to frame photography—especially rare or vintage works—giving visual priority to the image and yet fitting stylishly into most interiors. Other options are of course available. All our frames are handmade by one of the UK's leading framing workshops, and are constructed to museum standards. Please note that prices do not include local taxes, framing or shipping.

Shipping

We aim to ship works that are unframed within 4 weeks and within 10 weeks for works that are framed, although sometimes we will beat that! All works are shipped from the UK. Please note that prices listed above do not include framing or shipping.

Artwork In Detail

This artwork is a silver gelatin print, printed in 1998. Signed, titled, and dated in pencil on the front of the mount. Signed, annotated “modern print” and print date in pencil on reverse of the mount.

    Rebecca Lepkoff

    B’way Theaters, N.Y.C., 1947

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    Rebecca Lepkoff

    United States

    B. 1916 - 2014

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    The Artist

    American photographer Rebecca Lepkoff is best known for capturing the energy and vibrancy of urban life in New York City’s Lower East Side. She photographed street scenes, tenement buildings, and the people who lived in the neighbourhood. Her photographs often focused on the daily routines and struggles of working-class families and immigrants.

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