Sabrina KomárEntropy Is An Unfriendly Quantity 03, 2022
Starting from £875
Signed on certificate of authenticity
Giclée print from polaroid and scanography
85 x 61 cm
Edition of 10
Signed on certificate of authenticity
Edition of 10
Giclée print from polaroid and scanography
85 x 61 cm
Sabrina Komár prints limited edition Giclée prints after a process of 'scanography' from an original Polaroid. She signs each work on a certificate of authenticity. Every print comes directly from the artist's studio.
Framing
For this picture, we recommend a 'BOX' frame. This is widely accepted as the finest way to frame photography, giving visual priority to the image and yet fitting stylishly into most interiors. Other options are of course available. All our frames are handmade by one of the UK's leading framing workshops, and are constructed to museum standards. Please note that prices do not include local taxes, framing or shipping.
Shipping
We aim to ship works that are unframed within 2 weeks, and within 6 weeks for works that are framed. We always aim to get your print to you as quickly as possible! However, please note that the times above may vary depending on the work. For exact timings, please get in touch. We ship all works from the UK. Please note that prices listed above do not include framing or shipping.
Artwork In Detail
Sabrina Komár: Entropy Is An Unfriendly Quantity 03 (2022). Komár prints limited edition Giclée prints after a process of ‘scanography’ from an original Polaroid. She signs each work on a certificate of authenticity. Every print comes directly from the artist’s studio.
Sabrina Komár
Entropy Is An Unfriendly Quantity 03, 2022
EnquireSabrina Komár: Entropy Is An Unfriendly Quantity 03 (2022).
Sabrina Komár
Hungary
B. 1981
EnquireHungarian photographer, Sabrina Komár, explores her personal history through a range of analogue and digital photographic techniques. She intervenes on traditional practices with various manipulations, most notably ‘scanography’ on polaroids, photograms, lumen prints and chemigrams. She describes her work as self-portraiture, as well as ‘internal monologues’.
